Friday, November 20, 2009

Flood at Bukit Timah

I heard about the Bt. Timah flood yesterday from Keropokman's tweet around noon. From there, I searched in Twitter and found many tweets mainly from students in Ngee Ann Polytechnic. As soon as I found some photos and video, I tweeted them by 3pm.

Yesterday's flood reminded me of a similar one I experienced in the early 1990s (or was it late 1980s) when I was in Secondary (or was I in Primary?) school. Similar to that effect, Bt. Timah Rd was flooded and traffic came to a stall. I was actually at Bt. Timah Road itself, at the stretch where it was no flood. But there was no traffic, probably because the other stretches of the road was flooded and thus no vehicles could pass through where I was. My parent's car was along the affected stretch and my mum described how the waters seeped into the car while she was driving and flooded the seats. We had to endure weeks of damp smell whenever we sat in the car.

Back then, Internet was non-existent and we had to wait for the following days to see the full impact from the newspapers or the evening news on TV. Today, I got the news within minutes after it happened from Twitter.

Today, everyone can get news the moment it happens. If you know where and how to search.

http://www.straitstimes.com/BreakingNews/Singapore/Story/STIStory_456468.html?vgnmr=1

http://www.straitstimes.com/BreakingNews/Singapore/Story/STIStory_456808.html
http://www.razor.tv/site/servlet/segment/main/news/39240.html

Wednesday, November 04, 2009

Anna L: Portfolio

After the previous outdoor casual shoot, Anna and I did a studio session at my house. Every model must have a few of such photos in their portfolio when going for casting. And there should be minimal photoshopping (save to remove pimples or eye bags), as it is rather misleading if the real person turns out to look different from the photo.

Makeup and hairstyling by Lynette Pang, who also did a great haircut job for the shoot.






Apart from doing Anna's portfolio shoot over the weekend, I also did a pre-wedding photoshoot with Pierre and Jane. They are both avid scuba divers, and naturally, the photos revolve around the waters. I'll be ploughing through the thousand-plus images I shot in the 2-day shoot, but here's a preview shot:


Monday, October 26, 2009

photostory: MURDER


Here's the final product of my latest photo story, titled MURDER. It's a simple story about a deadly fight between 2 friends.

The story idea came about during an MSN conversation among the 3 of us. You can have lots of ideas but at the end of the day, you need people willing to do the story (Currently, I have 3 big-story ideas waiting for interested parties to be part of them).

There are some scenes that I feel are quite realistically acted out, while there are some that aren't so convincing. Well, blame it on the 2 friends who did not dare to go all out to deliver the necessary "kill".

And, yah, it's so hard to get them to be serious. For every scene we took, it always end up with either laughter ("wahahha") or apologies ("sorry did I hurt you").

The full set can be viewed from Flickr. http://www.flickr.com/photos/chestertan/sets/72157622667244818/

Wednesday, October 21, 2009

ISO 102400 with Nikon D3s and Canon EOS-1D Mark IV

I didn't even have time to blog about Nikon's D3S announcement, and Canon throws out the EOS-1D Mark IV. And I'm not going to compare both cameras and advise which one is better. Seriously, if you have to wonder which camera is better for you, you are probably just starting out on your professional photography journey of which you have a lot more things to worry about than a DSLR body.

What I want to share here is that the image sensor's sensitivity is advancing so much that it is possible to shoot in the darkest situations. With such a remarkable development, journalistic photography takes another leap. And not forgetting the ability to do high-definition video recording. Remember the days when we scorn at ISO 1600? Now we have another benchmark to mock at. ISO 102,400? Sounds sinful, but in no time, we'd be embracing it like a god-send wonder tool.

The rest of the DSLR make-up remains pretty much the same. AF-sensors, frames per second, better LCD monitor, faster image processing capability. Obviously Canon has a better offering given they are in the professional DSLR market for so many years. Nikon's just barely started, but it's doing very well in delivering what users want. And it has the competitor to look up to.

If you are only interested in the numbers, head over the DPReview to get your fix. To me, you are never wrong with either cameras.

Nikon D3s
Canon EOS-1D Mark IV

Friday, October 09, 2009

Emelind C: Portfolio


I finally did a formal portfolio shoot with Emelind. Remember the previous shoot with her at Orchard Central was meant as a test shoot. This time, Emelind got her Japanese makeup artist friend, Emiri, and you can see from the photos that she certainly did a magical job in transforming Emelind into a gorgeous looker.





More photos at my facebook page or Flickr Set

Thursday, October 08, 2009

Canon's Social Media Exclusive @ 1 Caramel


I was invited by Canon to get a hands-on to their latest imaging products. Held at 1Caramel at The Luxe (next to The Cathay), the set-up is so much more casual and relaxing than the previous one I attended. This time, no formal presentation from the executives, which is good. I mean, hey, we're bloggers, not press.

I was very pleased with the line-up this time round. Here's a brief of my impression on the models I've had some time playing with:

PowerShot S90 - this is gotta be my favourite camera for the evening. The 10mp 3.8x zoom aluminum-body S-series got a large aperture of f/2.0, a gimmicky lens control ring that allows me to change settings quickly, performs very impressively with high ISO 3200, allows full manual exposure controls. Under the "AUTO" mode, the S90 is constantly looking for face subjects and quickly selects the best scene mode to capture the image. What I dislike is the control dial that I find is too sensitive. Unlike most Canon models, the navi-dial doesn't have the usual clicks when you turn. This is a camera that delivers great images under natural light conditions.

PowerShot G11 - this latest G-series has become more masculine as compared to the previous models. It has loads of hardware buttons and dials to make this a compact companion to the professional photographer. The decision to drop the megapixel count from 15mp on the G10 to the 10mp on G11 means Canon understands that a lower pixel count will reap better noise control. Personally, I feel that the G11 and S90 has comparable image performance. The G11's advantages are its better-spec manual controls, plus the hotshoe that professionals would truly appreciate.

IXUS 200 IS (SD980) - this is Canon's first touchscreen digicam, and with every first, there will always be design oddities. Not every button on the screen can be touched for selection, but this model still comes with the usual hardware buttons and control dial for those who aren't comfortable with the touchscreen to continually navigate outside the screen. There are gesture-based controls, touch AF, to name a few. It has a wide-angle 24mm lens, 5x optical zoom, supports 1280x720 HD movie recording. For once, I actually find a IXUS model that meets my photographic demand.

IXUS 120 IS - this is the younger sister to the IXUS 200, without the touchscreen, starts at 28mm to 4x zoom, and a smaller size. The image quality is similar to the IXUS 200, which is to me quite usable. The camera, like the IXUS 200, also seems to perform generally faster than the previous IXUS models I've tried.

EOS 7D - the latest DSLR is available for my hands-on. It certainly has a much better build quality, and the buttons next to the LCD monitor is moved from the bottom to the left. There is a dedicated movie dial and button to allow you to toggle between movie and still photography with ease. The new kit lens, 15-85mm, is the widest kit lens ever produced (the Nikon equivalent is 16-85mm). The build is also quite good. Also included for hands-on is the 100mm f/2.8L macro lens and the 18-135mm. All lenses have Image Stabilizers.

The other models that I didn't have hands-on are the PowerShot SX20 IS, PowerShot SX120 IS; video camcorders LEGRIA HF S11, LEGRIA HF21; photo printers SELPHY ES40, SELPHY CP790.

Thanks to Canon and Ogilvy for organising the lovely event, and 1Caramel for the lovely food and oh-so-delicious cakes. Now, photos from the actual cameras!

PowerShot IXUS 120 IS

This image is shot at ISO 1600. Impressive!

Shots of the lovely cakes. ISO 160.

General shot, ISO 800.

PowerShot S90


Yummy + Macro

ISO 3200 + Macro!

Sunday, September 27, 2009

Samsung ST550 Compact Digital Camera

I love to use gadgets that are truly innovative, or at least gives me something genuine to talk about and easy for me to blog about. The Samsung ST550 is certainly one such device, which I got my hands on yesterday afternoon. Offering my review within a short use of any device reflects how well the device is designed to work for your lifestyle, not the other way round.

The specs for the ST550 include:
- 4.6x optical zoom: 27 - 124.2mm, f3.5-5.9
- 12.2 megapixels 1/2.33" CCD sensor
- Dual Optical Image Stabilisation
- Focus range from 3cm (super macro)
- 3.5" TFT LCD display with 1,152,000 pixels
- 1280x720 HD HQ recording 30fps
- Internal Memory 55MB
- ISO 80 - 3200

My list of favourite features:

1. 2nd LCD screen in front - why hasn't anyone thought of that? You can preview yourself for self-portraits. The screen shows a clown animation to get the kids attention. There is a countdown for self-timer.

2. Responsive touchscreen - the last time I touched a Samsung digital camera touchscreen, it was rather bad. The ST550 is improved tremendously, in fact, somewhat too sensitive. Actually, it's because my fingers have little space to rest outside the touchscreen. It's a trade-off for compactness.


3. Motion recognition - you can change modes by twitching the ST550. Very convenient for one-handed operation. You can also wave at the camera to invoke the self-timer countdown. You can delete photos by crossing the screen.

To say that a device doesn't have its issues is being naive. The lens at f3.5 to 5.9 is not bright. The ST550 is somewhat laggy when starting the video recording. I often missed out the first few moments. There are no cursors to move around the menu items: once you press, it's considered selected. But you can workaround by holding the item to read the description, and if you don't want that selected, just slide your finger away. The battery capacity is alarmingly small: only 720mAh, and the manual already states that the battery is good for only 180 shots. Price to pay for being compact, and certainly the features cannot satisfy a pro-minded photographer, but that's not the target segment for this camera.

For the next few weeks, the ST550 will be tagging with me to capture images and videos, thanks to Shawn Chung from T3 Magazine Singapore.

Saturday, September 26, 2009

Nokia N97

Nuffnang emailed me one day with an offer to "experience a new Nokia product". When I collected it on Wednesday from Nuffnang office, I found out that it was the Nokia N97 that was launched in June. Apparently, it's not the phone they wanted me to test, but rather the Comes with Music (CwM) feature.

Unfortunately, when I returned home in the evening to open up the package, I couldn't find the CwM activation code. Nuffnang is still checking, and in the mean time I am using the N97 with mixed feelings. All the things people say about the N97 is true: it is unfortunate that the N97 cannot perform as stably as my E71, or any Nokia phones, known for their robust and responsive interface. Otherwise, it's a pretty impressive device. Being the first generation of Nokia touchscreen smartphones, bugs are unavoidable. Sony Ericsson has their share when they launched the P-series, and even after several generations, the Symbian UIQ is still nowhere responsive. That's one of the reasons why I decided to let go of the UIQ after many years of remaining faithful.

Ironically, despite owning an E71 that can pretty much get me connected to my online social network sites, I still prefer to use the N97. The biggest reason is its generous and bright LCD screen that makes surfing a joy. The touch capability does facilitate the experience, but not without frustration as the phone struggles to interpret my finger gestures. The camera quality is fantastic, another reason over E71.

Hopefully I get to experience CwM before my trial ends in 4 days time.

Saturday, September 19, 2009

Melody: Chimes, a Photo Story

After reviewing dozens of requests and multiple interactions through email and MSN, Melody is the first talent to be featured in my new photo story. She was chosen to be the first not by merit, but by chance. I had a free slot last Saturday, and I asked her if she's available. She said yes, and the fact that she stayed very near me are catalysts to getting the shoot done.

I also finally got to shoot at a location that I've been eyeing for months, and never got a chance to use that location because, as you know, I haven't been shooting photo stories.

Melody braved the sun and her grass allergy without informing me, and delivered the emotions that I wanted. I truly appreciate her dedication and sacrifice.

The words are based on the prose I wrote in my previous blog post about finding candidates for photo stories. Melody contributed her prose and I took the best of both. The soundtrack is based on "Chimes" from my Piano Spa 4 album. I extended the compositions and modified to fit the story better.






If you need a closer look, here's the photo story in still images:
http://www.flickr.com/photos/chestertan/sets/72157622284578463/show/


I am now planning 3 photo stories of a larger and more controversial nature, stories that bring out the good and evil sides of humanity. I am very excited and hope that the shoots can take place so that I can showcase them. The cast has been shortlisted, and now all I need is to get the scripts finalised and dates planned out.

Thursday, September 10, 2009

Flickr on iPhone by Yahoo! Mobile

A new Flickr application for iPhone was recently launched by Yahoo! Mobile. I had a try on my colleague's iPhone, and believe it, this is the first time I touched and used the iPhone 3G.

iPhone's large screen makes the viewing experience great. Be it viewing my own Flickr account images or others, images are first presented in thumbnail view, then when selected, I will get the full-screen view. Flicking my fingers left or right allows me to view the next photos quickly. The iPhone screen displays the Flickr photos nicely, and in most cases, loads quite fast.

I can also use the iPhone camera to take a snapshot and upload. There is a button to go into camera mode, and after the shot is taken, it will bring to the upload page for me to select the keyword tags and privacy. The only drawback is that the iPhone 3G's camera quality is not the best in the market, so it's most likely I will upload the post-processed photos in the iPhone rather than direct from camera. Nevertheless it's a good feature for on-the-go photojournalism. The uploaded images are only in 450x600 pixels, not sure if I can actually set the upload image to a higher resolution.

Logging in is also seamless. It uses Safari browser to authenticate, and so if you already had a Yahoo login saved in the browser, it will auto recognise and log you in. In my case, I was using my colleague's iPhone, so I had to log-out and login with my own account.

If you are not a Flickr user, sign up for a free account that comes with limited storage space, although it's not likely for you to run out of space if the uploaded images are resized to 450x600 pixels. Still, you should, like me, pay US$24.95 for 1 year and get a whole lot of features:

  • Unlimited photo uploads (20MB per photo)
  • Manage and group your photos into sets and collections. You can add the same photo to multiple sets, unlike folder methods.
  • Unlimited video uploads (90 seconds max, 500MB per video)
  • The ability to show HD Video
  • Unlimited storage
  • Unlimited bandwidth
  • Archiving of high-resolution original images
  • The ability to replace a photo (ed: I only just found out they actually had this feature!!)
  • Post any of your photos or videos in up to 60 group pools
  • Ad-free browsing and sharing
  • View count and referrer statistics

The Flickr application for iPhone is free, and it allows user to upload, tag, share photos and videos conveniently.

Visit http://sg.mobile.yahoo.com/flickr for download instructions to your iPhone.

Tuesday, September 08, 2009

The Pentax K-7 Field Test: Jurong Bird Park

The trip to Jurong Bird Park was planned months in advance, because my wifey has to book the family pass from her office. So imagine our disappointment when we woke up to a rainy morning. But we proceeded to prepare for the outing as if the rain didn't matter. Even as I drove along the CTE and to AYE, the rain poured relentless.

Then miraculously, once we reached the Bird Park, the rain simmered to a drizzle, allowing us to still proceed as planned. This is the second time Mayenne visited the Bird Park this year, but this time, she was able to appreciate the animals better.


Using the Pentax K-7 in a real world situation allows me to find the benefits and flaws of the camera. Generally, they align to my earlier review. First, the good:

1. The camera focuses fast and fires at 5.2 fps without mercy.
2. During video recording mode, the high-resolution screen allows me to manually focus accurately. The 18-55mm kit lens' zoom and focus rings are built with the right tension to allow me to zoom and focus with ease.
3. At ISO 1600, there is negligible noise, and I believe if you shoot in RAW, you will be able to handle the noise issue during post-processing.

Then the bad:
1. The exposure mode dial is annoying. I simply detest the lock that slows me down when switching shooting modes. Imagine I had to switch from video mode to TAv mode, that's a 180-degree turn.
2. The interface lag when pressing the buttons took a toll on me. It's impossible to do super-fast navigation. For instance, it takes a few milliseconds for photos to display on screen as I scroll the images.

The images are rather vibrant in the standard settings, but the kit lens exhibit softness under bright conditions when viewed at 100%. The following photos are straight out of the camera without colour adjustments.






Sunday, September 06, 2009

Blood Ties - The Movie 還魂

I would like to recommend a film here. It's called 還魂, written and directed by Chai Yee Wei, his debut full-length feature film. This is the first film that is funded by Singapore Film Commission's Feature Film Fund, co-produced by Oak3.

It is not a horror movie, although it has something to do with the supernatural. There is more blood than scare, and there is more love than blood. So I'd classify this film as supernatural romantic drama. Rated M18 for excessive blood.

The film opens in GV theatres on 10 Sep, but they are already showing previews over the weekend. I watched it today with my wife and she enjoyed the movie.

The movie is multi-language with Mandarin, Cantonese, Hokkien, Teochew, and some English. With stellar cast from Hong Kong, Kenneth Tsang and Cheng Pei Pei. Acting is good and realistic, cinematography is impressive, the production quality surpasses many Hong Kong and Taiwan commercial films. The only thing that I'd nitpick is the scene sequencing. I can understand the intention of using flashbacks to slowly uncover the truth, but I do get a little confused because the idea of the movie taking place in a single night did not get into me. However, once you have that mindset, then you'd be able to follow the movie better.

The storyline is good and it surprises me with several (not just one) twists. So while you were watching and when you thought, aha, I'm so smart I knew it all along, the story unfolds and catches you off-guard.

If there is a compelling reason why you should watch Blood Ties in cinemas, here's one: it's possible for you to catch any Hollywood blockbusters on DVD in future, but if you don't support local films like Blood Ties, then you might never be able to watch it ever again.

To share with you some facts about Singapore films and their box office receipts, here's stats from the Singapore Film Commission website:
http://www.sfc.org.sg/docs/1991to2008.pdf
http://www.sfc.org.sg/docs/1991to2006.pdf

As you can see, other than the usual popular highly-publicised movies, most of the films aren't making money in box offices. I can understand that some of the local films can be rather artistic, but Blood Ties is truly a "commercial-friendly" film. It's visually and emotionally stimulating.

Join the Facebook Page for exclusive production photos and trailers. May I remind you again, this is NOT a horror movie. Go enjoy the movie and be impressed at our local film production quality.

Saturday, September 05, 2009

Pentax K-7 DSLR

I was supposed to be out for a photoshoot this morning, but my model got called up for an F1-related event. Fortunately, I got the Pentax K-7 to keep me occupied. I am reviewing for T3 Magazine Singapore, and the review will be published in the following month's (October) edition. But seriously, I can't wait to talk about this camera. And blogging about it gives me more freedom as this is my blog so I don't have to write in a magazine-friendly manner. Quite often, when you receive a review set and tried for a while, you find nothing good to talk about it. Then you had to spend days to find good things to mention. Not for K-7.

This is the first time I am using a Pentax DSLR. Having being used to a Nikon all my life, I can't help but make comparisons, and it's understandable to be biased. But surprisingly, I quite like the new Pentax makeover, and personally I feel it's easier for a freshie to get accustomed to K-7 than to a Canon. On its own, the K-7 doesn't look that small. But when put side-by-side with the competitors, you realise how hard Pentax worked to reduce the footprint without sacrificing handling comfort.

Here are some published specs about the camera:

- 14.6 megapixels CMOS sensor
- 720p/1080i HD video recording
- 3 inch 921,000 pixels LCD monitor
- 5.2 fps
- 100% optical viewfinder coverage

Here's a list of what I like about the K-7:

- Solid build, feels like Nikon. After all, I've been so used to the magnesium alloy body.

- Fantastic grip and button placements. All the controls, including the 2 commander dials that are literally under my fingertips.

- Shutter sound is more muted, especially when in live view, you don't feel that the camera is doing a lot of work to grab that frame. It's less obtrusive to use the K-7 in a quiet environment, something that I wish I could do with my Nikon.

- The LCD monitor is sharp enough for me to achieve manual focus accurately when using live view and when doing video recording.

- The kit lens 18-55mm is weather sealed and feels more solid. The zoom rings and focus rings has the right tension without feeling too loose.

- The shake reduction (SR) is quite well done, but you can only see it working when you shoot in live view mode because it's built in the sensor instead of the lens. Besides horizontal and vertical adjustment, the sensor can also compensate rotational shake (tilt), which, although rare, could happen, for instance, on a boat.

- The additional exposure modes like sensor priority, shutter and apperture priority (ISO will be auto-adjusted) and the USER mode allows user to access then conveniently. The Flash-sync X-mode, however, is really old-school.

There is also a myraid of unique firmware features (some of them I must say are the first ever found on a DSLR) that I'm going to spend some time talking about it here, because I've never seen them on my Nikon (yet). No doubt these features are, to a traditional photographer, gimmicky. But I think that's the trend that allows manufacturers to differentiate from one another, apart from the hardware advancements of faster frame-per-second and low-noise sensors.

- Composition compensation. You can actually tilt and shift the sensor to fine-tune your framing, if your camera is on a tripod, for instance.

- HDR. Having a high dynamic range function in K-7 means no longer do you need to do manual post-processing on your PC. Although that doesn't offer much controls, it's cool to have the DSLR do all the work. Perhaps, you might want to use the HDR function as a draft before doing your own exposure-compensation multi-frame capture.

- Effects preview. Although many DSLRs and compact cameras have software filters or image tone controls, K-7's implementation is more intuitive. Firstly, when you select any filters or tones, the camera will use the last-shot image as a preview, or you can choose to take a new preview snapshot by turning the on/off switch to the right. With the preview image on-screen, you can then make adjustments to each effect/tone until you are satisfied. At that point, you may also choose to save the new effect by pressing the AE-L button. What impresses me is that if you already selected one of the effects for shooting, you can still change your last-shot image to other effects during playback, or even revert to the normal non-filter image losslessly. Obviously the K-7 saves the original image in the buffer for this purpose. The available digital filters are: toy camera, retro, high contrast, extract colour (aka duotone), soft, starburst, fisheye.

During playback, it is also possible to apply multiple filters over an image. Some additional filters are available here, like monochrome, pastel, water colour, slim, miniature, HDR.

Like most DSLRs out there, the K-7 also allows a fair bit of customisation on the buttons and controls. And to keep up with the technology, the K-7 also has the electronic leveling sensor, lens correction for distortion and vignetting.

And here's what I dislike about the K-7:

- The design of the hardware switches are left to be desired. This includes the AF mode switch, AF point selection, metering dial, and the exposure mode dial. Basically, the switches are hard to turn. In particular, I cannot understand why Pentax designs a lock for the mode dial. This practically defeats the purpose of having a quick dial when it cannot be operated quickly with one finger.

- The camera takes considerable time to process buffered images before you can play them back on the monitor. For instance, after a series of continuous-shot images, or images that need to apply filters, the hour glass will appear when you try to playback images. Not to worry, though, for you can still continue taking photos.

- The buttons do not respond to quick sequential presses. It is rather annoying when you want to set some controls quickly when in action.

- To change the 11-point AF sensor, I need to press the OK button to activate first. It's a workflow that one probably could get used to.

I really enjoy using the Pentax K-7 DSLR, especially with the in-camera photo processing functions and the usable video recording. The hardware buttons make sense and do not confuse the user. The only thing that reminds me that it's still a conventional DSLR is the slow auto-focusing during live view. I am also discouraged by the wait time for the camera to do post-processing, say, when I elect to shoot with software filters.

I should be getting busy over the next few months reviewing more digital cameras. Nikon's D300s and D3000 should be out anytime in Singapore. Sony has already announced the latest series of DSLRs to replace their existing. Canon's EOS 7D finally gives Nikon its well-deserved contest. And Panasonic latest Micro Four-Thirds camera, the Lumix's GF1, is a head-on against Olympus E-P1.

Monday, August 31, 2009

Kampong Lorong Buangkok

Sunday 30 Aug 2009.

8.30am. Wifey woke me up. Darn I'll be late. Supposed to reach kampong by 9am.

8.35am. Finally got my butt off the bed. I walked into the bathroom, the warmth of the morning sun greeted me through the window. Great weather, I thought.

8.37am. As I brushed my teeth with my eyes closed (still not full awake), I felt a shadow cast behind me, as if someone was standing behind me blocking the sun. When I was done with my teeth and face, I opened my eyes, and the sky was already dark, covered with grey clouds everywhere.

8.40am. I went downstairs to buy breakfast for wifey, texted Genghui to meet me at the MRT station taxi stand.

8.55am. I left home. The sky held up.

9am. Picked up Genghui.

9.02am. Rain fell.

9.10am. Reached kampong. Rain poured relentlessly. We waited for signs of Tetanus. Texted him, and he replied that his place was already raining, so he'd only come when the rain stopped.

9.20am. Decided to go for breakfast at Jalan Kayu.

10.20am. The sky seemed to be cleared. We left the restaurant and drove to the kampong. On the way, the rain picked up again.

10.30am. Reached kampong, rain still fell, but not so heavy. We decided to check out the place since we were already here. Rain soon came to a complete stop and we enjoyed the walk. Then the rain came back again and I was forced to shoot holding an umbrella.

12.30pm. We completed the walkabout and left the kampong.

36 hours later... photos.

I grew up in a kampong in Loyang (Changi) with my grandparents, so the kampong sight was not an eye-opener. In fact, our neighbouring countrymen would be wondering what the fuss was about as there are thousands of kampongs in their lands. And even if visitors come to this final stronghold of history, what non-villagers will not appreciate is the lifestyle, not just the tangible environment. These photos can only capture the facade, but what we can never capture is the spirit of their livelihood, which was mockingly nowhere in sight throughout our walkabout, as they all stayed inside their homes in the cold wet morning.






Check out Genghui's account at his blog here.

Tuesday, August 25, 2009

The Return To Photo Story

In 2008, I produced 9 photo stories.

In 2009 till Aug, I only did 2.
http://chester.sg/photostory/deon-angel/
http://chester.sg/photostory/sindy/

This year I have been doing lots of conceptual fashion-styled shoots, and they are getting quite a lot of attention than when I did photo stories, because simply, they work better for the models portfolio.

So with the remaining months of 2009, I want to return to doing some photo stories, including revisiting some ideas that I have put aside for the longest time.

As I was emailing my pool of model friends, I thought why not I publicise my intentions here, so that I don't have to repeat myself over and over again.

So, what am I looking for in my photo story project?

I am looking for someone who is photogenic and able to perform acts of emotions. I would prefer if this person has some personal introspective experiences that can be worked into a photo story.

At this point, most people would be stunned. "You mean I have to write a story???" Well, if you blog, then that's already available material to use!

To me, a photo story doesn't have to be long. I usually like to work with simple and dialogue-based texts. These visually-evoking little tales effectively binds a series of photos together. But there are cases where words are not required to express the story. The words are just there to give context to the images I am trying to create.

My photo stories will dwell on emotions to capture the human spirit. You can think of photo stories as movie still photos. Having this portfolio won't give you jobs in fashion, but probably will get you noticed in filming and TV commercials.

Just to illustrate, here's something that I can work into a photo story. I wrote it specially for this blog entry under an hour.


"Listen.
The wind is arousing the chimes.
It knows That I am lonely.
My mind filled with void,

My hands empty of anticipation,

And my heart lost its way."

"Listen.

Follow the sounds of the chimes
So that you can find your way

To bring back my heart

Who left me the day you did."


Drop me a mail to share your story. Please don't email me just with just "I'm interested." Please convince me why and how you can help in this TFCD collaboration. You can do so by:

1. Send me your portfolio photos or links.
2. Send me your blog link if you want me to pick up your introspectives and work into a story.
3. Send me a write-up on what kind of story you want. For instance, about break-up, about loneliness, about fear, about anger, about sadness, about frustration. Or about happiness (marriage), about joy, about bliss.

As this is a TFCD, I have to be picky in the candidates. I am looking for faces that I think can portray the story that I want to work on. Versatility is also important (I've worked with some people who are quite stiff in their expression). So beauty is not everything (after all, beauty is subjective). If in doubt, just email me anyway. Even if this project doesn't work out, I might use you for my other collaborations.

Sunday, August 23, 2009

District 9

If you have watched the District 9 trailer thinking that you know what the movie is about, you are wrong. The trailer doesn't reveal anything about the plot, except the fact that the guy who got exposed to the "alien matter" seems to hint something. Did you guess that he got mutated? Correct. Did you guess that this is a typical alien-horror plot where aliens go around killing humans? Wrong. Is it one of the "save-the-planet" plot? Far from that.

It's entirely documentary, it's a bit of horror, it's a lot of blood and gore, it's a lot of sci-fi, but it's mainly drama. It's one of the rare cross-genre movies, and it does it well.

The movie practically leaves you no time to relax. You are brought up to speed with the documentary-style editing. Every piece of information, every scene and frame, is bite-sized details and critical to the story. And before you knew it, you are being led into the plot and then the story quickly unfolds halfway through the movie. Just when you thought you kindda knew what the movie is finally about, it goes into full-action mode, bringing you into another experience. Chasing sequences, intense battle scenes, questions that are gradually understood. And then comes the final third of the movie where it dwells into emotions and morals. It's clever how the scriptwriter uses the protagonist to take a more convincing role of empathising the aliens as he gradually mutates into one of them.

While this movie is a commercial success in USA, it's practically off the box-office radar in Singapore. Another example of how lack of marketing promotion led movie-goers to miss some gems. I only got to know about this movie from some website banners, and got intrigued that it's a Peter Jackson production. Then as I searched the local cinema screenings, I couldn't find this movie listed as "Coming Soon" or "Preview". Thinking that it will only be shown after the worldwide launch, I left it there until I was told it did screen, but only in Cathay cinemas.

Every veteran movie-goer should watch District 9. It has a bit of everything, and it delivers a new experience. It's not another Hollywood-formula film that many movies are guilty of.

Friday, August 21, 2009

Sindy at the Beach

This is my second ever bikini shoot, the last one happened in early 2008. And only after this shoot did I remember why I disliked shooting bikini: too much skin to edit! But it's only after the clean-up that the images glow in beauty.

For this beach shoot, Sindy wants the images to be soft, summer-like, fun. Not fashion. Not men's magazine. And despite years of modeling experience, she is still very bashful when doing shoots in bikini - on a beach!







It is only of recent years that I embrace the fact that digital image manipulation is an inevitable process for modern photography. Nonetheless, I am still very much a journalism-influenced photographer, which means I do not like to alter the image to deviate from the truth (for instance, cosmetic alteration). If there are major flaws in an image, it's more likely I would trash it than to digitally alter it unless I really like the soul of the image - subject's expression.



How do I know that Sindy is happy with the images from this shoot? She has just asked me to do another themed shoot.

Monday, August 17, 2009

Emelind at Orchard Central

I arranged for a test shoot with Emelind at the new Orchard Central shopping mall on a Thursday afternoon (after taking time off to run some personal errands). Shooting inside the shopping mall is generally prohibited by security, unless you are carrying a compact digicam and taking tourist-looking snapshots. So I had to shoot outside the mall, and one of the iconic things to shoot must be the outdoor escalator that stretches 3 storeys long.

Originally I wanted to shoot the escalator stretching from Level 1-3 because it was closer to ground and I could see more of the Orchard Road in the background. But it appears to be too close to human traffic and will probably attract too much attention. Eventually, I decided to use the escalator from Level 4-7, which is a better choice because it's longer and so gave me more time to shoot.

So we went up the one-way escalator, took the shots, then kept my intimidating DSLR, took the internal escalator down to Level 4, and started again, for almost 10 rounds. I was lucky I didn't attract any attention from the security. I had to use on-camera flash and no fancy off-flash settings, relying on the sun behind the model to give me the desired backlight.



Coincidentally, Level 7 has an open balcony overlooking Orchard Road. We grabbed a few shots, taken with available light without flash. I reckon this area will be occupied by some al fresco dining establishments in no time.




Emelind has been modelling for 8 years. Her first modelling foray was when she was 1 year old. In recent years, she has appeared in commercial print ads for Clarke Quay and DBS. Now she wants to expand her portfolio into fashion and creative looks.

Saturday, August 08, 2009

Magdalene

Magdalene found my portfolio at Model Mayhem, a community portal where all walks of creatives from all around the world come together to network - models, photographers, wardrobe stylists, make-up artists, fashion designers. My ID is http://www.modelmayhem.com/chestertan

She didn't have a wardrobe of outfits that we can use for a summer fashion shoot, so I decided to get some fabrics and improvise.






Friday, August 07, 2009

Anna Lim

Anna found my blog, saw my works, and contacted me for a photoshoot. Thanks to an overcast sky, the photos turn out as desired, thanks to soft lighting.








Anna was a finalist of The New Paper New Face 2007 contest, and has modelled for several print commercials and numerous events. Her most recent client is Crocs footwear, and you can still see her face plastered in larger-than-life size in the Crocs outlets.

For more photos, visit my facebook page http://facebook.com/chesterphoto or Flickr at http://www.flickr.com/photos/chestertan/sets/72157621786612723/

Thursday, July 30, 2009

Stage Dance Photography for Joo Chiat CC


Earlier this month I photographed a dance show for Joo Chiat CC Dance Classes, and they cover a wide range of dance genre, from classical ballet to modern dance, and tap syllabi.

If you do take up any stage performance assignment, here are some points that may be of use to you.

Focus on the Objectives
The major objective of photographing a dance school show is for parents and for archive. Many photographers do too many close-up shots of dancers but not enough group and general shots, and that's typically frowned upon. What I do is to take general stage shots on Day 1 of actual performance by positioning at the last row of the venue, then do close-up shots on Day 2 by positioning closer to the stage. Along the way, grab those artistically-styled images.

If you have more than one photographer hired for the event, you can then cater for more range of styles. Photographers should be assigned to different positions and to focus on shooting different things. Make sure that each photographer covers different areas, or else you end up with duplicate images.



Framing Close-up Subjects
If the dance item is a solo or a couple, it's quite easy to zoom in and grab the subjects. The challenge comes when it's a mass dance item, which is mostly the case for dance school performances. Who do you shoot? How do you frame? Whatever you do, you risk missing someone out in the frame. Students who are dancing at the back rows will not get photo coverage. As a photographer, I try to observe and frame groups of dancers logically. But if the dance item does not allow me to achieve that, then I will simply zoom in and shoot in sections. Parents will buy the photos as long as the faces of their children appears in it.


Rehearsals
Even a photographer should rehearse the shoot! By attending rehearsals, you are more likely to get better photos because you can anticipate the dance formation and highlights. Shooting rehearsal is just as rewarding as shooting actual performance. You have greater freedom in shooting at inaccessible places, like shooting towards the audience, or on stage near to the dancers. If you take up assignments for any stage performance, be sure to attend the rehearsals to increase your chance of getting good photos and delivering satisfaction to your clients.



Metering
Shooting for stage performance with constantly changing lighting effects is horrendously challenging because you cannot rely on your in-camera exposure meter. I say this again: NEVER use your in-camera auto metering for stage photography. The only way to achieve correct exposure is to constantly change the exposure manually. the camera will always over-expose because the dark areas occupy the major bulk in the frame, which averages out to be interpreted as underexposed.


My workflow is: take a photo, check the LCD, then quickly adjust the shutter speed and carry on shooting. Even if you get the correct exposure, you still have to continually adjust the exposure depending on lighting changes. Use your intuition: when you see lighting is dimmer, reduce the shutter. When the lights get brighter, increase the shutter. Do this constantly, depending on how frequent the lighting changes are. Shoot in RAW allows you to recover lost highlights in the event of an over-exposure within 2-stops.

No Flash (and that's fine)
Flash? Don't bother. You never need flash for stage photography, because the stage lightings are sufficient to give you ample exposure. Even if the lighting is dark, your flash will not help to boost unless you are in close range. And remember: your flash adds another light source to the stage lighting, and what turns out in your frame is not a representation of what is being presented. After all, if a dance scene is meant to be dark and in silhouette, then you should reflect that same light intensity.

Presentation of Photos
After 5 days of shooting during rehearsals and actual performance, I captured 2500+ photos, and eventually processed 1000 photos. Photobooks are popular, efficient, and a unique way to showcase the photos. I compiled all the 1000 photos into a 200-page book, and instead of using a generic contact sheet template (meaning, each page shows fixed 3x5 photos like a photo album), I arranged the photos such that group photos are larger sized (so that the faces can be seen clearer). I even did a 2-page spread on the finale shot, and it really look great.
Cost-wise, it's certainly cheaper than printing 1000 4R photos at 20-cents. This 200-page softcover photobook was printed for less than S$100 using Blurb, an overseas on-demand print vendor.


To see more photos of the event, visit the album at Facebook.

Nikon Announces D300S, D3000, 18-200mm VRII, 70-200mm VRII

Nikon officially announces the D300S, the D3000, and 2 upgraded lenses, 18-200mm VRII and 70-200mm VRII. Here's a brief summary of what's important and what's enhanced - in some cases, what's unchanged.

D300S: features that are new from Nikon
- HD video recording 1280x720 at 24fps with external stereo mic-in and AF during recording, using contrast-detect. AF will make sense if you use external mic, or else the motor sounds could be heard during recording.
- quiet drive mode, but don't expect silent operation like compact digicams
- CF+SD card slots, a rare feature for mid-range semi-pro DSLR to have dual card slots and of different formats.
- 7fps without vertical grip, another boost to the mid-range semi-pro DSLR and another step ahead of all the competitors

There are minor GUI and hardware button changes based on existing Nikon models. For instance, virtual horizon, Live View and Info hardware buttons. I do notice that the card slot door no longer has a lock like D300, and I don't like it because when I was using D700, I had the tendency to accidentally slide-open the card slot door.


D3000 is a replacement to the entry-level D60, including inheriting fundamental limitations to justify the low price.
- 10.2 mega pixel, same as D60
- 3fps, same as D60
- 3-inch LCD screen, although still at 230K
- 100 to 1600 ISO, with boost to 3200 ISO, same as D60
- 11-point AF system, similar to D5000
- 3D AF tracking, the first entry-level Nikon DSLR to have this feature
- only supports lenses with bulit-in AF motor, certainly the most damning limitation that prevents me from recommending Nikon to beginners. No doubt Nikon has released AFS prime lenses, but there is always this high possibility of legacy lenses not able to work with D3000, thus confusing beginners when looking for cheap third party lenses.


18-200mm AF-S DX VRII f3.5-5.6
A welcoming enhancement is resolving the zoom-creep issue with a zoom-lock, as well as new coating to reduce flare. VR II claims 4-stop benefit.


70-200mm AF-S ED VRII f2.8
Shorter but heavier than the original 70-200mm, the lens can continue to AF even if the focus ring is being handled, using the A/M mode.

The earliest date that any of the above products are available is September 2009.

Wednesday, July 29, 2009

Mayenne: Animated

Haven't blogged about Mayenne since her 2nd birthday. Photos do no justice to document her growth, so I'm sharing some video clips here.


One of my most favourite clips, it shows how she attempts animatedly to read a storybook.




An antic that till now we still haven't figure out what she was trying to do, she will hit the drum a couple of times, run to the mirror, and blabbers something, ending with a 2-syllabi "bae-bae". I suspect she was trying to imitate The Little Einstein.




Mayenne now plays (or tries to) every single piano key, in varying strengths too.




And here's a video of her imitating herself on the earlier "Mayenne Reading" video.

Saturday, July 18, 2009

Pasta Festa by Mien


A new pasta stall has just opened at the Tanjong Pagar Plaza Market. Pasta Festa is managed by Jack and June. Jack took apprenticeship with Mien, whose stall resides at Bukit Timah Food Centre.

Barely opened for a few days, they asked me to do food photography for their menu items.

The stall is at #02-01, and though it's situated at a corner, it is easily spotted from outside the food centre with the huge red signboard. All the items in the menu are going for $3.90, and do not contain MSG. I tried the Aglio Olio, and it's actually quite good. The taste is very rich and the bites are generous. If you are a pasta lover, I think Pasta Festa will make your taste buds (and your wallet) very happy.

MENU:
1. Ala Matriciana
2. Al Fungi
3. Aglio Olio
4. Carbonara
5. Laksa fusion

Opening hours:
Mon - Fri: 11am - 7pm
Sat & Sun: 11am - 2pm

Sunday, July 05, 2009

Huirong: Bridal Editorial


This is my first solo outdoor shoot with Huirong, despite knowing her for nearly 4 years (my previous shoots are all group shoots, except the one test shoot done last month). She is so accommodating and carried out all the requested poses and at uncomfortable locations despite being bitten by bugs or scorched by the late morning sun. It's heartening to learn that some people have the right attitude and professionalism to go all out to create beautiful images.

Same credit goes to the equally beautiful make-up artist Lynette (Huirong asked me why I did not do a photo session with her), who is actually a night owl. But because of my morning shoot, she ended up not able to sleep. But she still put in her best effort by agreeing to go on-location with us.

Huirong-bridal-002-003m

Huirong-bridal-004-005m

Huirong-bridal-016-017m

Huirong-bridal-018-019m


Huirong's bridal editorial shoot is the last of the 3 bridal series that I've planned for a very long time. Each bridal shoot attempts to create a different style for my portfolio. Zoe's on indoor fashion. Sindy's 2-styled on soft photostory-like and edgy stronger fashion. Huirong's very mainstream. Already I have requests for more bridal theme shoots, and so I have to think of other different styles. Meanwhile, I'll be taking a break.

For more of Huirong bridal editorial series, visit my Flickr set at http://www.flickr.com/photos/chestertan/sets/72157620843826167/ or my Facebook album at http://bit.ly/uTj5k

Friday, July 03, 2009

Rumours: Nikon D3000 and D300S

Rumour has it. Nikon should have 2 new DSLRs announced by end of Q3. And it's probably the most unexciting announcement in years (surprise me, Nikon).

Why?

If rumours are accurate, the D300S will be no different from D300, except with video (most likely HD) recording and supports SD-card. Some sites claim it's a dual card-slot, so the other slot might remain as CF-card. What I would hope is better high-ISO quality comparable to D700.

The D3000 will be a lower-end D5000, so it'll be a replacement to D60. Possibly no video recording.

That's it from Nikon? Over to you, Canon.

Thursday, July 02, 2009

Olympus E-P1 Compact Interchangeable Lens Camera


Has someone come up with an acronym for the compact cameras with interchangeable lens? Maybe, say, DILC? Because the world has now another of such product in the market. Olympus PEN E-P1 follows Panasonic Lumix G1 and GH1 to be the next compact camera using the Micro Four-Thirds lens mount.

I had a quick play at Playworks/T3 office, recently shifted to Sunshine Plaza. Nifty biometric fingerprint security, so no worries about losing the pass, unless...

Generally, it feels like a compact camera, with the advantages of manual lens control and faster AF and shutter response, no different from the Lumix G1 that I reviewed extensively a few months back. The E-P1 supports up to 6400 ISO, and the highlights look rather clean. What's lacking is the articulated screen and built-in flash. What I like is the Art Filter mode which you can select effects like Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film or Pin Hole to capture great arty images. It makes image capturing a lot more fun.

I think compact interchangeable lens camera is the way to go. You get the compactness of a digicam and the responsiveness of a DSLR. The price may be prohibitive since a compact digicam costs half the price, and the E-P1 is priced not any lower than the lowest-end DSLR. So for now, such format camera will be a companion for the serious photographers and early adopters.

Quick specs:
- 12.3 megapixels Live MOS sensor
- 3" LCD screen
- HD (720p) video recording
- 3 fps

Thursday, June 18, 2009

LG Viewty Smart GC900


After 13 days of embargo since I got the phone on 3 Jun, I finally can post my review on the LG Viewty Smart.

As you are aware (if you follow my blog), I was selected to participate in the LG "Life is Viewty-ful" Photo Blogger Campaign. 10 bloggers got their hands on the LG Viewty Smart and had to use the camera function to capture and submit 5 photos for the LG Viewty Smart marketing campaign, that includes using the photos for worldwide publicity. Selected images may also be compiled into a photobook showcasing LG Viewty Smart's images.

Being the first shipment firmware, I uncovered many limitations that I wasn't sure if it was a design feature or simply a bug. So I had to review with an open mind. After all, despite the lifting of the embargo, the phone will only be on sale later this month or July. That means LG is still capable of upgrading the firmware.

OK, on with the review proper.

Took me a few tries to catch the cube in transition.

I was impressed with the S-Class 3D interface, but I am one that goes for functionality rather than GUI, so if all the nifty transition effects slow down the interface, I would rather go for the rigid look and feel.

The LG Viewty Smart is a touch-screen phone with capacitive surface. It is more durable but only responds to skin contact, not fingernails. There is only one hard button on the front face, and 4 other buttons on the sides - multitasking, up and down volume, and camera buttons. The cover material is plastic and so the phone feels very light. The phone is slim and so it could feel somewhat flimsy as there are no grips. I am not a fan of small and slim imaging devices, for you need an ergonomic grip to have a steady shot. Another major problem is that you risk touching the touchscreen and activate some other functions other than taking the picture. For me, a concerted effort is required to grab a casual photo with the Viewty Smart, like most of the camera phones in the market.


My major pain points from using the phone are:

- slow auto-focus and laggy shutter. I workaround by selecting manual focus. It works for me since the camera auto-focuses up to about 30cm, afterwhich it's infinity. Since I typically take distance shots, setting to manual focus to infinity means a faster (but still laggy) shutter trigger.

- inaccurate touch. This is probably a common challenge for all touchscreen phones. The Viewty Smart increases the challenge because the 800x480-resolution 3-inch screen is smaller than say the iPhone. So the fonts and the buttons are smaller and I never fail to miss the key or hit the wrong key altogether. For web-browsing, the workaround is to increase the screen font by zooming in (using multi-touch finger gestures) but for interface navigation, the sizes are fixed.

- not a smart phone. It lacks full multi-tasking capability and its web browser is not powerful enough to display webpages efficiently. I was also unable to find any applications for the phone on the Internet, while Java-coded apps are limited and lacks full features. Many phone makers deploy different phone OSes and it's really a challenge finding the correct apps. Phone makers should openly inform consumers the OS so that they can find more apps to expand the capabilities of the phone, thus making the device more user-friendly.
What I quite like about the phone:

- a myraid of camera and video settings and controls. The Intelligent Shot (IS) mode actually displays real-time indications of the camera analysing the scenes. There is an exposure compensation quick button for ease of adjustment. The manual focus helps in creative photography. As for video recording, I had fun doing fast-forward recording (as seen in my previous blog post) as well as slow-motion recording.

I find that the shortcut keys are useful for both the camera and video recording modes. One gripe is the on-screen dial mode that simulates the actual camera dial, which I find is a UI gimmick and not user friendly. I spend a lot of time scrolling one item at a time, and there are quite a lot of items to scroll to. I would prefer an option to change to a menu view.

- comprehensive image and video editing functions. Although the 8 megapixel image quality is not the best in the market, the quality is certainly not the worst that I've experienced from other leading brands. But what amazes me is that I can do almost all kinds of basic editing on the phone without using a PC, like saturation, contrast, colour filter, white balance; you can rotate, crop, sharpen, do image morphing and warping, enter text, insert bubbles, stamp cute icons all over the image, or create fogging effects. Likewise for video, you can trim, merge, add text, blend audio tracks, to name a few.

- integration to Google Blogger and YouTube. Once I'm done with the images and videos, I can easily upload to post on Blogger or to YouTube. Nothing to shout about, but it's neat.

- motion and wind sensor games. Pre-installed games demonstrate the capabilities of the LG motion and wind sensor. You get to roll dice, hit a "ball" up in the sky, blow bubbles, spin a wheel. Basically, the 'wind' sensor is just based on microphone volume. Instead of blowing to the mic, the same effect can be applied when speaking to the mic, although naturally it will be noisier than blowing.

- technically the slimmest and most portable 8 megapixel camera phone in the market. I like the understated design. One friend even thought that the device is a digital camera. The screen is bright and colours are rich.


The Viewty Smart is a phone with smart camera functions found only in some of the latest compact camera models, but what I really like is the level of image manipulation. I also had my share of fun with the motion-sensor games. The Viewty Smart will be a great device for photo bloggers who can capture images, edit, and post it online without leaving their phone off their eyes.


Monday, June 15, 2009

Sindy: Two Styles

The following day after the beauty shoot with Zoe, Sindy and I did a solo bridal shoot, again collaborating with the great make-up skills of Lynette. This time round, we tried both extremes of styles: from the soft elegance to the strong fashionistic edge.









Making use of the available images I captured, I pieced them into a short photostory, my first one since Jan this year. The story and words were conjured over one evening. I already had the plot in mind during the actual shoot but I didn't know how to write it such that there is a twist to the ending.



Read it and see if it makes sense.

Friday, June 12, 2009

Emilia: Super.Model.She.

There is a new reality show coming to Singapore. It's called SUPERMODELME.tv and will be broadcast exclusively over the Internet at http://supermodelme.tv/ from 16 June 2009. 10 models. 10 weeks. 2 models representing Singapore. 1 Emilia.



Since the first time I shot her 1 year ago, Emilia has grown to be a better model. She is begining to forge her unique style, look and poise.





Wednesday, June 10, 2009

Sindy Ang and Zoe Raymond: Beauties' Shots

For the past weeks, I have been experimenting my lighting setup using my daughter's room as a makeshift studio for some basic photoshoots. What's more basic than doing beauty shots? So I rounded up a few of my model-friends and a few new acquaintances. Huirong was my first "test subject", then Emilia, and Christine (I invited a few more, but couldn't make it). And here I have Sindy and Zoe together in one session.



While you may be familiar with Zoe, Sindy is my new model-friend and her portfolio so far has been impressive. In fact, I told her that if I were to delay the shoot any longer, it would be harder for me to do a unique shoot because of her ever growing portfolio that includes some interesting and stunning concepts (personally, when a model requests me for a portfolio shoot, I will always look for a concept that he/she has never done before and is also something that he/she wanted to showcase). Sindy is also one of the top-21 SingTel Grid Girls 2009, so watch for her on the TV and media.


I am privileged to get Lynette to join the photo session, as she graciously came to my house to do make-up for not one but two models. And when you have 3 ladies in one room, it's quite a din as they chatted and merried.

With a make-up and hair stylist in the photo session, I get to do more looks and concepts.

As mentioned in Lynette's blog entry, the girls liked almost every other photo as I let them pick their likes using Lightroom. But we still have to shortlist to a select few, or else I'll die from post-processing. And so here in this post are my favourites.

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